
SCHEDULE
25/09
26/09
27/09
28/09
08:00
Master Class
António carrilho
Master Class
Geisa Felipe
Orquestra de flautas
Renata pereira
Master Class - Grupos
António Carrilho
Orquestra de flautas
Renata pereira
Palestra
Renata Pereira
Master Class
Cravo
14:00
Credenciamento
Casa da Cultura
16h
Concerto
Orquestra de flautas
CEU Shopping Park
15h
Orquestra de flautas
Renata pereira
Master Class
David Castelo
Orquestra de flautas
Renata pereira
20:00
Projeto DuoBrasil
Detailed schedule here.
CONCERTS
Projeto DuoBrasil: 'Red Leaves'
Wednesday
20:00
Sala Camargo Guarnieri – UFU bloco 3M
Betiza Landim: Recorder
Daniela Carrijo: Piano
Do you think there are many Works writen for Recorder and Piano? The DuoBrasil Project proves that the Brazilian repertoire created for this specific setting has been growing constantly. The results of research conducted through many years are presented in this Recital named “Red Leaves”, title borrowed from one of the many pieces written especially for the Duo.
Hubertus Hofmann Sonatina Brevaguda
(1929 - 2011) I
II
III
Osvaldo Lacerda Sonata para Flauta Doce e Piano
(1927 - 2011) I
II
III
Villani-Côrtes Romance
(1930 - )
Alfredo Votta Mentha sylvestris
Antonio Celso Ribeiro Four red leaves
() Song 1
Song 2
Song 3
Song 4
Sandra Mohr Dança de Negros
()
David Castelo: 'A Flauto Solo'
Thursday
20:00
Sala Camargo Guarnieri – UFU bloco 3M
Diego Leveric: Lute
Rafael Augusto: Baroque bassoon
Robson Bessa: Harpsichord
The Recorder has figured as a soloist instrument since the medieval period until modern times. Accompanied Recorder sonatas and solo pieces for Recorder will be revisited in this concert that proposes a journey through the history of the Recorder and presents some of the most famous masterpieces written for the instrument. Who would think that the Recorder is capable of playing all this?
Charles Dieupart Suite V, em fá menor
(c.1670 - c.1740)
Ouverture - Allemande - Courante - Sarabande - Gavotte - Menuet en Rondeau - Gigue
Hans-Martin Linde Music for a Bird
(1930 - )
Arcangelo Corelli Sonata V em sol menor
(1653 – 1713) Adagio - Vivace - Adagio - Vivace - Allegro
INTERVALO
Ryohei Hirose Meditation
(1930 – 2008)
François Couperin Les graces incomparables
(1668 – 173)
A. L. Vivaldi Sonata para flauta doce, fagote e B.C. em lá menor RV86
(1678 - 1741) Largo - Allegro - Largo cantabile - Alegro molto
António Carrilho: 'Les Gôuts Réunis' – a Flauta Doce e a reunião dos estilo(s) barroco(s)
Friday
20:00
Sala Camargo Guarnieri – UFU bloco 3M
David Castelo: Recorder
Diego Leveric: Lute
Rafael Augusto: Baroque bassoon
Robson Bessa: Harpsichord
Romes Jorge: Baroque oboe
In this concert the Recorder is presented as a versatile instrument, used in the most diverse chamber music settings. The main national styles from the baroque period, such as the Italian, French and german music show us that the Recorder has been evolving through the time and continues to develop new sounds and techniques in contemporary music.
M. Blavet Sonata La vibray
(1700 - 1768) La vibray – Les coquets – Sarabande – Allegro
G. P. Telemann Trio Sonata em Dó menor, TWV 42: c2
(1681-1767) Largo – Vivace – Andante - Allegro
J. S. Bach Trio sonata em Sol m, BWV 1029
(1685 - 1750) Vivace – Adagio – Allegro
G. Tartini (1692 – 1770) Il Trilo del diavollo, B.g5
Larghetto Affettuoso – Allegro – Grave/ Allegro assai/ Allegro assai / Grave/ Allegro assai/ Cadência/ Adagio
*arranjo e cadência @António Carrilho
INTERVALO
A Berardi Canzone sesta
(1639 - 1694)
H. Biber Passacaglia
(1644 - 1704)
W. F. E. Bach Trio em Sol M
(1759 - 1845) Larghetto cantabile - Allegro - Adagio – Presto
A L. Vivaldi Concerto em Si m, RV 580
(1678 - 1741) Allegro – Largo – Allegro
Recorder Orchestra Concert of ENFLADU
Saturday
19:00
CREA Auditorium
Uberlândia recorder academy will have its own orchestra, composed by the participants of the festival. The repertoire will be varied and specially prepared for the final concert.
Lecture: Extended technique as a vehicle for musical expression in contemporary recorder performance
Friday
14:00
UFU
Prof. Dr. David Castelo (UFG)
The lecture consists in a summary of the PhD research conducted by the author and concluded in 2018, in which he discusses the relationship between instrumental technique and musical expression. More specifically, it investigates the possibility that extended recorder techniques can be used as a vehicle for musical expression. The fact that the recorder is also a historical instrument, for which an extensive Renaissance and Baroque bibliography was dedicated, contributed to its technique being organized in two main axes: that of traditional technique (understood as that contained in historical treatises) and that of extended techniques (those developed from the 1960s). This distinction is, however, less rigid when a more in-depth study is carried out on the techniques described in the historical treaties.
LECTURE
